Article which attempts to understand why some individuals become subscribers to orchestras while others attended concerts but do not become further involved with the orchestra.
Illustrated history of the development of buildings for music from the 17th- to the late 20th-century, charting the often symbiotic relationship between architecture and musical form and style.
A social history of musicians, which encompasses the origins of musicians’ unions and professional associations, and the proliferation of conservatories and diplomas that persist right up to the present day.