Towards the close of 2014, Pompaloose’s Jack Conte posted a detailed breakdown of their 23 date US tour income and costs, and provoked a lively blogosphere debate. With the dust settled, Live Music Exchange’s Professor Simon Frith discusses what can be learned from the post and the spectrum of perspectives it mobilised.
Music festival season for young, inexperienced, and unsigned artists, can be a time spent anxiously waiting to see whether they are one of the chosen few selected to perform on the ‘unsigned stages’ that are present at most major festivals in the country.
Less well known than the much-touted exposure that they can bring an unsigned band is the introduction that they bring to the PRS whose collection of revenues from events like festivals is hotly disputed by promoters. Here, Matt Brennan discusses the implications and advantages for unsigned bands of a relationship with the agency.