Opportunities for Growth in the UK Events Industry: Roles & responsibilities: A report to the All Party Parliamentary Group For Events – Britain for Events (2011)

Report to Parliamentary group, compiled and presented by the business visits and events industry forum- provides data about the UK festival market and licensing.

Diamonds Are… For One Night Only – Reflections on the Queen’s Diamond Jubilee Concert – Adam Behr

Adam Behr reflects on the concert in celebration of the Queen’s Diamond Jubilee, calling into question the drive for an all encompassing concert experience, and considering some of the problems of this model of event.

Promoting live music in the UK: a behind the scenes ethnography – Emma Webster (2011)

Study on live music promoters, based on ethnographic research in Glasgow, Sheffield, and Bristol.

Investigating the health of the UK folk club – Stephen Henderson (2011)

This research addresses the conflicting views of the health of folk music clubs using interviews with artists, agents, and folk club organisers/promoters.

King Tut’s Wah Wah Hut: initial research into a ‘local’ live music venue – Emma Webster (2010)

Article illustrating how King Tut’s Wah Wah Hut in Glasgow is inextricably linked to the global live music industries.

Constructing a Rough Account of British Concert Promotion History – Matt Brennan (2010)

A rough account of British concert promotion since 1955.

Changes in Live Music Between 2005 and 2009 – Creative Blueprint/DCMS (2010)

Report attempting to detail of changes to the live music sector between 2005 and 2009, following the Licensing Act 2003.

Festivals (48)		Legislation & regulation (40)
Technology (7)		Politics (30)
Tickets & secondary ticketing (8)		Economics (57)
Sustainability & green issues (20)		Strategy (22)

Live Music History (37)		Live Music Places (44)
Live Music People (33)		(Live) Music Industries (66)

Training & practical guides (22)		Miscellaneous (47)

Folk (4)		Metal (1)
Classical & opera (20)		Miscellaneous Genres