In this post, Professor Paul Carr of the University of South Wales outlines a recent report presented to the Welsh Government’s Culture, Welsh Language and Communications Committee on the impact of Covid-19 on the Welsh music industries. Here, he summarises key findings and recommendations, and reflects on the process of conducting the research.
This report was produced as part of the Arts and Humanities Council’s (AHRC) Cultural Value project and with the co-operation of UK Music, the Musicians’ Union and PRS for Music. It looks behind the headline numbers to examine the relationships between venues and provide a qualitative illustration of the live music ecology in three locations – Camden, Glasgow and Leeds.
In the latest addition to the ‘Live Music 101’ series of theory-based posts, Emma Webster and Adam Behr seek to offer some answers to the question of what makes for a good city for music and set out various formulations as to what makes for a ‘healthy’ live music ecology, an examination of the interplay between national and local policy and the musical city, followed by a case study of Glasgow as an archetypal ‘healthy’ musical city.