In today’s post the team from the Birmingham Live Music Project – Dr Patrycja Rozbick (Aston University), Dr Craig Hamilton (Birmingham City University) and Live Music Exchange’s Dr Adam Behr (Newcastle University) – look at the implications of moving the date for easing lockdown restrictions in the UK and the crisis this could provoke for music venues.
This article considers live music policy in relation to wider debates on the cultural (as opposed to instrumental) value of the arts, using a case study of the Queen’s Hall in Edinburgh.
This report was produced as part of the Arts and Humanities Council’s (AHRC) Cultural Value project and with the co-operation of UK Music, the Musicians’ Union and PRS for Music. It looks behind the headline numbers to examine the relationships between venues and provide a qualitative illustration of the live music ecology in three locations – Camden, Glasgow and Leeds.
Richard Sutherland offers a well-informed summary of the changes to Canada’s visa rules for musicians, brought in July 31st 2013.
Martin Cloonan both reports and reflects upon the author’s experience as part of the Steering Group on a project which attempted to map the main issues facing the music industries in Scotland.
Martin Cloonan offers some initial impressions of the potential policy implications of conducting research in to live music; the article examines issues of regulation, the black economy and sharp business practices, and developments in concert ticketing
Arts Council England’s priorities for music 2007-2011.
Initial findings and reflections upon the impact of live music on music policy.