Report to Parliamentary group, compiled and presented by the business visits and events industry forum- provides data about the UK festival market and licensing.
Music festival season for young, inexperienced, and unsigned artists, can be a time spent anxiously waiting to see whether they are one of the chosen few selected to perform on the ‘unsigned stages’ that are present at most major festivals in the country.
Less well known than the much-touted exposure that they can bring an unsigned band is the introduction that they bring to the PRS whose collection of revenues from events like festivals is hotly disputed by promoters. Here, Matt Brennan discusses the implications and advantages for unsigned bands of a relationship with the agency.
This book is a practical, step-by-step guide through the key aspects of how to understand and manage the impacts of events of any type and scale – with checklists for action and tools for measuring performance.
This is an attempt to articulate the potentialities of carnivals for enacting both hegemonies and oppositional political formations – both are present and this piece examines their relationship and the symbolic politics of carnivals.
A large-format heavily photographic account of the festivals and gigs held at Knebworth.
An academic study of festivals. Contains detailed information about free festivals, in particular East Anglia, Windsor. Touches on ‘medieval’- style fairs.
An oral history of the Glastonbury Festival old in the words of everyone involved with the festival, from Michael and Emily Eavis and Arabella Churchill to Glastonbury village residents and local policemen and a wealth of celebrity contributions.
Second report of a parliamentary working group on Pop Festivals.
Mintel’s report analyses trends in the music concert and festival industry in 2004.
Mintel’s report analyses trends in the music concert and festival industry in 2006, featuring exclusive consumer research highlighting the main audiences for each genre.