In our latest blog post, Live Music Exchange co-founder Professor Simon Frith OBE reflects on the history of festivals, along with how they have been studied, and considers the implications of Covid-19 for their future.
Tag Archives: Festivals
Looking for silver linings – Abigail Dunn
Gender Representation in TRNSMT’s 2020 Line-Up – Abigail Dunn
Pop music festivals and (cultural) policies – New IASPM Journal special issue
In this post, we’re introducing a special issue of the Journal of The International Association for the Study of Popular Music co-edited by the Live Music Exchange’s Martin Cloonan and Adam Behr, with Beate Flath. Festivals, along with live music in general, are increasingly a part of the broader political process and, relatedly, the cultural policy process. This timely issue approaches the politics of popular music festivals from a range of theoretical and geographical perspectives.
The contradictory politics of Glastonbury – Adam Behr
Risky Business: the Volatility and Failure of Outdoor Music Festivals in the UK – Chris Anderton
Mediation and Liveness in DJ Performance – Kim Ramstedt
This week’s blog by Kim Ramstedt is a discussion of issues related to the study of superstar DJs and follows the recent death of Swedish DJ Avicii. Superstar DJs frequently perform on the main stages of pop music festivals, and festivals built predominantly around DJ performances and electronic dance music attract record amounts of visitors. Yet, popular discourse around large-scale …
Is Glastonbury really running out of headliners? – Adam Behr
Today we feature a repost of an article by Live Music Exchange’s Adam Behr in The Conversation discussing the debate about headliners at Glastonbury and other festivals. Controversy around the Glastonbury line-up, given the vagaries of the British weather, is an even more reliable feature of the festival calendar than photographs of mud dwelling festival-goers. This year, Norman Cook, one of …
The Impact of (Jazz) Festivals: an Arts and Humanities Research Council-funded research report – Emma Webster and George McKay (2016)
Article on the impact of jazz festivals, focusing on economic impact, socio-political impact; temporal impact and intensification and transformation of experience; creative impact – music and musicians; discovery and audience development; place-making; the mediation of jazz festivals; and environmental impact.
From Glyndebourne to Glastonbury: The Impact of British Music Festivals – Emma Webster and George McKay
A new report, written by Emma Webster and George McKay and published online last week, highlights the impact of British music festivals and shows that festivals are now at the heart of the British music industry, forming an essential part of the worlds of rock, classical, folk and jazz. Funded by the Arts and Humanities Research Council’s (AHRC) Connected Communities programme, the report is based on a critical literature review of more than 170 books, papers and reports.