A paper considering the aesthetic and commercial success of the ‘early music’ movement during the 1970s and 1980s, paying particular attention to discourses of authenticity and their relationship to the market-driven commercial exploitation of this form of performance.
An introduction to the Live Music Research Project at the root of Live Music Exchange: conceptualising live music, the political economy of live music , typology of venues, ten themes to be explored (“ten things you never knew about live music”)
