A paper illustrating how organisations can operate in the live music sphere with practices and ideologies distinct from commercial live music promoters, using Dublin’s Hope Collective as a case study.
A paper that outlines an on-going project – ‘Pompey Pop’ – that documents popular music in and around the city of Portsmouth, from the end of the war in 1945 to 1969.
Using case studies from Brisbane, Sydney and Melbourne, this paper shows the specific problems confronting live music, with regard to policy and implementation.
