A report commissioned by Sennedd Research to examine the ‘state of play’ in the post Covid-19 music industries in Wales.
A report containing the findings of the Edinburgh live music census, held in June 2015, and subsequent recommendations to Edinburgh City Council.
The City of Sydney’s Live Music and Live Performance Action Plan 2013, which contains a range of recommendations as to how to encourage a healthy live music ecology.
Author(s): Hasan Bakhshi, Alan Freeman and Peter HiggsPublisher: NestaDate: January 2013 Click here to read the full report This paper argues that, despite its strengths, the UK Department of Culture, Media and Sport (DCMS) classification of the creative industries contains inconsistencies which need to be addressed to make it fully fit for purpose. It presents an improved methodology which retains …
A report produced from research conducted under an AHRC Cultural Engagement grant, looking at state provision of support for Scottish music industry practitioners, with a particular emphasis on showcasing activities.
Report co-produced by the Musicians’ Union and UK Music which assesses the impact of the Live Music Act 2012, published one year after the introduction of the Act.
The text from the Second Reading of Lord Clement-Jones’ Cultural and Community Distribution Deregulation Bill in the House of Lords, July 5 2013.
Practical advice on developing noise-control strategies in the music and entertainment industries to prevent or minimise the risk of hearing damage from the performance of both live and recorded music and meet legal obligations under the Control of Noise at Work Regulations (2005).
The creative industries are a key driver of Britain’s economic growth but the creative workforce suffers from poor social representation. A range of experts offer their thoughts on why social mobility is so low in the creative industries, and how policymakers and the industry can improve it.
This report presents the conclusions and recommendations from a study commissioned by Creative Scotland. The overall purpose was to identify an appropriate approach and method for examining the economic impact of the Arts and Creative Industries in Scotland.