A report commissioned by Sennedd Research to examine the ‘state of play’ in the post Covid-19 music industries in Wales.
Category Archives: Academic
Birmingham Live Music and Brexit – Patrycja Rozbicka, Craig Hamilton, Adam Behr, Patricia Correa Vila, Luke John Davies (2019)
Author(s): Patrycja Rozbicka, Craig Hamilton, Adam Behr, Patricia Correa Vila, Luke John Davies Organisation: Aston University/Birmingham City University/Newcastle University Date: 2019 A report produced through collaborative research work undertaken at Aston University, Newcastle University and Birmingham City University. It seeks to look at the ways in which the live music ecology of Birmingham is constituted and how the sector is approaching challenges related to local, national …
Live Concert Performance: An Ecological Approach – Adam Behr, Matt Brennan, Martin Cloonan, Simon Frith & Emma Webster (2016)
Liveness in Modern Music Musicians, Technology, and the Perception of Performance – Paul Sanden (2012)
Live Music Exchange – Simon Frith (2013)
Alien invasions: the British Musicians’ Union and foreign musicians – Martin Cloonan and Matt Brennan (2013)
Live and prerecorded popular music consumption – Juan D. Montoro-Pons and Manuel Cuadrado-García (2011)
Social Semiotics – The Business of Live Music: Special Issue – (2012)
The real “crossroads” of live music: the conventions of performance at open mic nights in Edinburgh – Adam Behr (2012)
Presents ethnographic work on open mic nights in Edinburgh, a hitherto under examined activity that lies in the hinterland of professional live music and serves as a junction between professional and amateur practice. Details implicit and explicit codes of behaviour and a typology of different nights.