This guest post by Darren Mueller- saxophonist, teacher and PhD candidate at Duke University – reflects on how live jazz performances are haunted, and infused, by the recordings of the past.
MJ Hibbett offers musicians a survival guide to the Edinburgh Fringe, and some thoughts on the difference between Fringe gigs and regular gigs along with why bands are well equipped to deal with it.
Emma Webster examines festival headliners and what makes for an ‘ideal’ way to close the main stage each day.
Jordan Canada offers advice to musicians by pointing out three things that musicians should not do with social media to get a gig.
Using the example of Low at the Rock the Garden show, Andrea Swensson questions the unspoken contract between artist and audience to ask what it actually is that we are buying when we purchase a concert ticket.
This guest post by Lucy Bennett discusses the effect of mobile phone technology on live events – connecting them to fans outside the gig whilst disrupting and altering the nature of audience engagement in the venue itself.
Emma Webster looks at the growing role of the vuvuzela in demonstrations and how it fits, or doesn’t, with other musical activities in protest.
With stars like Rihanna and Justin Bieber back in the news recently for late appearances on stage, Adam Behr takes a look at stage times, backstage rituals and the common ground as well as the differences across the spectrum of musical activity in the ‘star system’.
Sheffield based sound engineer Mark Hadman provides a a few simple tips for musicians on how to work well with the monitor engineer.
Maps are increasingly integrated into our everyday media consumption and there’s a growth in mapping musical activity – by academics, communities and businesses. In today’s post, Adam Behr tries to unpick some of the different motivations, methods and implications of mapping the music.