Ten Things Learned from the Live UK Summit 2012

The UK live music industry conference – Live UK Summit 2012 – was held at the Radisson Blu Portman Square in London last week. Three representatives from Live Music Exchange – Adam Behr, Matt Brennan, and Emma Webster – attended the event. This post contains a summary of the key things they learned there.  

Live Music 101 #3 – Why Concert Promoters Matter – Matt Brennan and Emma Webster

In the third of our series on the theories that underpin our research into live music, Matt Brennan and Emma Webster attempt to define the promoter and how they operate, in an extract from ‘Why Concert Promoters Matter’, originally published in Scottish Music Review in 2011. The authors analyse existing accounts of live music promoters and offer their own analysis of what a promoter is and does, concluding that promoters may use one or more of three basic models of promotion within rock and pop: ‘independent’, ‘artist-affiliated’, and ‘venue’.  

Anatomy of a Gig #1 – John Bramwell (I Am Kloot) – Emma Webster

This first in a series – Anatomy of a Gig – introduces a space for people to comment objectively about live music events that they have attended, to build a resource for promoters and musicians on what works and what doesn’t work at a gig. In this way, the Anatomy of a Gig series will review the gig as a live music event rather than reviewing the music per se. Emma Webster kicks off with an account of a John Bramwell show.  

Sonisphere 2012: why festivals get cancelled – Emma Webster

In the light of yesterday’s announcement that Kilimanjaro Live’s Sonisphere festival has been cancelled, today’s blog examines some of the factors that have caused the cancellation of festivals over the past few years. Sonisphere is not the only ‘big’ festival to cancel in 2012, of course – The Big Chill’s organisers, Festival Republic, announced in January that 2012 would be …  

Get into live music – or not . . . – Emma Webster

Get into live music – or not . . . Since I was little, I always wanted to be a live sound engineer and even now I can quite happily spend an evening watching the mixing desk rather than watching the band on stage.  I went to a gig last week and did exactly that, and it got me wondering: …