UK Live Music Census 2017 – update

As we announced back in November, the Live Music Exchange team are currently working on an exciting new project, the UK Live Music Census, the first exercise of its kind anywhere in the world to attempt to measure live music activity across an entire country. Yesterday the University of Edinburgh published a press release about the Census and it has …  

From Glyndebourne to Glastonbury: The Impact of British Music Festivals – Emma Webster and George McKay

A new report, written by Emma Webster and George McKay and published online last week, highlights the impact of British music festivals and shows that festivals are now at the heart of the British music industry, forming an essential part of the worlds of rock, classical, folk and jazz. Funded by the Arts and Humanities Research Council’s (AHRC) Connected Communities programme, the report is based on a critical literature review of more than 170 books, papers and reports.  

Bye bye nightclubs in the Big Stay-At-Home Society? – Emma Webster

This week’s blog post is by Live Music Exchange’s own Emma Webster, in response to The Times‘ leader about the removal of nightclubs from the ONS ‘basket of goods’ in March 2016. The post draws attention to The Times’ seeming horror at the inefficiency of the process, a latent hatred of nightclubs, an implicit fear of gathering crowds, and the delight in the pursuit of individual rather than group pleasure. The piece offers a defence of nightclubs from an economic and social perspective, and questions the real motives behind the glee of the author in chronicling the demise of the nightclub sector.  

The Ecology of Live Music: the evolution of an idea – Live Music Exchange editorial team

To mark the publication of our academic article on the live music ecology, the LMX team is publishing our original discussion notes. These illustrate the origins of the ideas that inform the article but include points that weren’t further developed (and perhaps should have been). We thought it worth making public—particularly in relation to this topic—an aspect of the academic process that is usually hidden.  

The Signs of Festival – Emma Webster

In anticipation of the EFG London Jazz Festival, Emma Webster’s blog post considers the signs of festival – how we know a festival is on its way before it begins.  

Ten Things Learned at Venues Day 2015 – Emma Webster

Emma Webster’s blog post listing ten things learned at Venues Day 2015, from the need to make some noise about the issues facing small venues, to whether audiences are getting older, to suggestions of adopting the French model of a ticket levy to raise revenue for venues.  

The Edinburgh Live Music Census

Today’s post contains information about an important new research project in Edinburgh being run by the Live Music Exchange team. There are opportunities for live music practitioners and audiences across Edinburgh to get involved. Read on to find out more and do get in touch if you’re interested.