This study investigates the idea and practice of liveness in modern music, drawing on case studies including Glenn Gould and the White Stripes.
A blog post flagging up BBC Radio 4’s ‘Thinking Allowed’ programme, broadcast on 22 May 2013, which was devoted to the social history of live music in the UK, featuring Simon Frith.
Martin Cloonan both reports and reflects upon the author’s experience as part of the Steering Group on a project which attempted to map the main issues facing the music industries in Scotland.
Simon Frith reflects on the Live Music Exchange project in the context of ‘knowledge exchange’.
This article examines the policies of the British Musicians’ Union towards the employment of musicians who were not UK citizens in the period from the 1920s to the 1950s, with particular emphasis on an alleged ban on American musicians entering the country.
Dobe Newton, organiser of the live music census in the state of Victoria in Australia, gives some background to the census, a discussion of the research process, an overview of the findings and also comparison with wider industry figures.
Martin Cloonan offers some initial impressions of the potential policy implications of conducting research in to live music; the article examines issues of regulation, the black economy and sharp business practices, and developments in concert ticketing
A world first- taking a census of all the musical activity in a city on one night, illustrating Melbourne’s music scene and providing rich data regarding music making and consumption in the state of Victoria in both small and large scale contexts.
Dave Laing maps popular music performance sites to understand the links between performers and their audiences, drawing on case studies including Elton John, and Manchester in the 1960s.
Guest blog by the University of Edinburgh’s Professor Simon Frith writing about the social value of music in the context of regeneration policy.