E.W. Harris is a singer/songwriter who is based in Brooklyn and performs internationally. This interview speaks to the logistics, realities and significance of touring and playing live, both at home and abroad, from a North American perspective. This blog post is based on an email interview with Emma Webster on 29 November 2017, which was part of the UK Live …
2017 saw the fourth instalment of the (hopefully) now annual Venues Day, which gathered over 300 venues from across the UK in one room. The day was kicked off by an impassioned introductory speech by BBC Radio 1’s Steve Lamacq in which told the assembled venues and promoters that ‘We must never stop telling people how important you are’ and …
In this week’s blog post, Matt Brennan introduces a new research project which launched in September: a UK-wide live music census funded by the Arts and Humanities Research Council.
Last year’s LMX intern Chris Adams (aka self described failed music-maker Piet Haag ), adds to the ongoing discussion over the small venue crisis with an alternative and musician focused perspective.
Kevin Milburn’s post charts the shift of live activity in London from the early 1960s to the present day from the west to the east and southeast, highlighting the closure of significant venues along the way, including the Lewisham Odeon, as played by The Beatles. The post shows that such sites were not threatened by lack of use or decline but instead because of being based in areas newly attractive to investors, alongside other external factors, a story very pertinent at a time when, according to one report, London lost 30% of its venues between 2007 and 2015.
A report outlining how Sheffield is a leading Music City with 788 organisations active in the music sector, 465 active bands, 70 rehearsal rooms and innovation across all music genres – including electronic, folk, free noise and rock.
A survey of LIVE DMA member organisations, covering mostly small to medium venues in Spain, Belgium, Denmark, France, Norway and the Netherlands, covering topics such as ticket sales and level of subsidy.
Emma Webster’s blog post listing ten things learned at Venues Day 2015, from the need to make some noise about the issues facing small venues, to whether audiences are getting older, to suggestions of adopting the French model of a ticket levy to raise revenue for venues.
A report containing the findings of the Edinburgh live music census, held in June 2015, and subsequent recommendations to Edinburgh City Council.
Today’s post contains information about an important new research project in Edinburgh being run by the Live Music Exchange team. There are opportunities for live music practitioners and audiences across Edinburgh to get involved. Read on to find out more and do get in touch if you’re interested.