What Makes a Music City? – Robert Kronenburg

Robert Kronenburg explores the idea of a ‘Music City’, a term starting to be used more widely to describe initiatives being developed by some cities that recognise popular music as a key part of their heritage and identity and as a possible vehicle for regeneration and cultural tourism.  

Venues Day 2014 – Mark Davyd

Mark Davyd, creator and CEO of the Music Venue Trust, muses on Venues Day 2014, an event celebrating small independent music venues across the UK.  

Live Music Census in Victoria, Australia – Dobe Newton

Dobe Newton, organiser of the live music census in the state of Victoria in Australia, gives some background to the census, a discussion of the research process, an overview of the findings and also comparison with wider industry figures.  

Live Music 101 #3 – Why Concert Promoters Matter – Matt Brennan and Emma Webster

In the third of our series on the theories that underpin our research into live music, Matt Brennan and Emma Webster attempt to define the promoter and how they operate, in an extract from ‘Why Concert Promoters Matter’, originally published in Scottish Music Review in 2011. The authors analyse existing accounts of live music promoters and offer their own analysis of what a promoter is and does, concluding that promoters may use one or more of three basic models of promotion within rock and pop: ‘independent’, ‘artist-affiliated’, and ‘venue’.  

Liberating Creativity – UK Music (2010)

A report by UK Music outlining the strength of the UK’s music industry and setting out its ambitions for the future, calling for action to support growth from both government and industry.