Author(s): Emma Webster, Matt Brennan, Adam Behr and Martin Cloonan with Jake Ansell Organisation: University of Edinburgh / Live Music Exchange Date: 2018 Download the UK Live Music Census toolkit (zipped file) For 24 hours from noon on Thursday 9th March 2017, an army of volunteers in cities across the country went out and about to live music events, from …
Tag Archives: venue
Valuing live music: UK Live Music Census report 2017 – Emma Webster, Matt Brennan, Adam Behr and Martin Cloonan with Jake Ansell (2018)
Author(s): Emma Webster, Matt Brennan, Adam Behr and Martin Cloonan with Jake Ansell Organisation: University of Edinburgh / Live Music Exchange Date: 2018 The UK’s first ever national live music census took place in 2017. For 24 hours from noon on Thursday 9th March, volunteers in cities across the country went out and about to live music events, from pub …
What Makes a Music City? – Robert Kronenburg
Reply
Ten Things Learned at Venues Day 2014 – Emma Webster
Venues Day 2014 – Mark Davyd
The Perils of Pay to Play at the Grassroots – Louise Dodgson
New World Symphony: Summary Report: 2010 – 2013 Concert Format Assessment – Alan Brown and Rebecca Ratzkin (2013)
Access All Areas: The Trailblazers and disability access to concerts – Laura Merry
Live Music Census in Victoria, Australia – Dobe Newton
Live Music 101 #3 – Why Concert Promoters Matter – Matt Brennan and Emma Webster
In the third of our series on the theories that underpin our research into live music, Matt Brennan and Emma Webster attempt to define the promoter and how they operate, in an extract from ‘Why Concert Promoters Matter’, originally published in Scottish Music Review in 2011. The authors analyse existing accounts of live music promoters and offer their own analysis of what a promoter is and does, concluding that promoters may use one or more of three basic models of promotion within rock and pop: ‘independent’, ‘artist-affiliated’, and ‘venue’.