Our latest guest post is by Dobe Newton, OAM – an active music professional for over 40 years and leader of the 2012 Victorian Live Music Census and the 2017 Melbourne Live Music Census. Here, he presents key findings and observations from the Melbourne Live Music Census of 2017, and reflects on the census process.
Today’s post contains information about an important new research project in Edinburgh being run by the Live Music Exchange team. There are opportunities for live music practitioners and audiences across Edinburgh to get involved. Read on to find out more and do get in touch if you’re interested.
Today’s post marks release of a new report by Live Music Exchange team members Adam Behr, Matt Brennan and Martin Cloonan – The Cultural Value of Live Music from the Pub to the Stadium: Getting Beyond the Numbers
Sheffield-based singer-songwriter Neil McSweeney explores the idea that, for a healthy live music ecosystem within a locality, there might be an optimum number – or at the least, a minimum provision – of rehearsal spaces, recording facilities and performance spaces for a given population with a given demographic make-up. In doing do, he paves the way towards further research while highlighting its importance for policy makers and local governments.
This report presents the conclusions and recommendations from a study commissioned by Creative Scotland. The overall purpose was to identify an appropriate approach and method for examining the economic impact of the Arts and Creative Industries in Scotland.
Report that investigates the problems of negotiating economic and cultural understandings of value.
An outline of the practical issues to consider in undertaking a substantive and systematic study of the economic impact of live music in the UK