Funded by the Arts and Humanities Research Council, the purpose of this report is to chart and critically examine available writing about the impact of British music festivals, drawing on both academic and ‘grey’/cultural policy literature in the field.
With an amendment to the Consumer Rights Bill finally making some provision for greater transparency in ticket sales, Live Music Exchange’s Adam Behr takes a look at the history of attempts to regulate the secondary ticketing and calls for continued vigilance in the run up to next year’s review of it.
Following last week’s post about what makes for a healthy ‘musical city’ Adam Behr looks at the concepts that underpin the legislative agenda on live music, and the issues that surround the difference between music and noise.
Introduction to a special issue of Social Semiotics dedicated to ‘the business of live music’. Outlines the contents and provides links to free articles from the journal
This paper explores what it means to talk of live music as a right by looking at the ways in which courts and other actors constitute music as a political entity to which such rights might be attached, with case studies of grime artist Giggs and the merger of Live Nation and Ticketmaster.
Editorial for special edition of Social Semiotics – explains the relationship between the articles and provides an overview of the theoretical terrain of ‘the business of live music’
Adam Behr looks at some of the coverage of the Pussy Riot trial in the wider context of the questions it raises about music, politics and censorship. What are the dividing lines between musical and political statements? As the dust refuses to settle on this case, we examine some of the problems of the relationship between music and politics, and the need to maintain vigilance in the face of repression.
Hamish Birchall is interviewed by Martin Cloonan about the Live Music Act 2012 and the campaign that led to it. This is a session from the Live Music Exchange Leeds event that deals with the background to the Act and some of its possible effects.
Adam Behr reflects on the concert in celebration of the Queen’s Diamond Jubilee, calling into question the drive for an all encompassing concert experience, and considering some of the problems of this model of event.
This is an attempt to articulate the potentialities of carnivals for enacting both hegemonies and oppositional political formations – both are present and this piece examines their relationship and the symbolic politics of carnivals.