Right On: Live Music, Noise and Rights – Adam Behr

Following last week’s post about what makes for a healthy ‘musical city’ Adam Behr looks at the concepts that underpin the legislative agenda on live music, and the issues that surround the difference between music and noise.  

From Gigs to Giggs: politics, law and live music – John Street (2012)

This paper explores what it means to talk of live music as a right by looking at the ways in which courts and other actors constitute music as a political entity to which such rights might be attached, with case studies of grime artist Giggs and the merger of Live Nation and Ticketmaster.  

‘There’s a riot going on’: Notes on Pussy Riot, music and politics – Adam Behr

Adam Behr looks at some of the coverage of the Pussy Riot trial in the wider context of the questions it raises about music, politics and censorship. What are the dividing lines between musical and political statements? As the dust refuses to settle on this case, we examine some of the problems of the relationship between music and politics, and the need to maintain vigilance in the face of repression.