Julie Bicycle’s research project that assesses the carbon impacts of bands, orchestras and theatres touring the UK and internationally. The research is funded by the music industry, the British Council, Arts Council and Orchestras Live with support from the Association of British Orchestras.
Article exploring assumptions and experiences of audience members new to classical music. Data from focus groups and interviews reveals that feelings of inclusion and participation in the performances were important predictors of the participants’ enjoyment of the concert. Considers the implications of these findings for orchestras and concert organisations.