Analysis of festival visitors using conceptual frameworks and outlining six broad ‘motive domains’ – cultural exploration, novelty/regression, recover equilibrium, known group socialization, external interaction/socialization, and gregariousness.
This paper aims to examine the cultural heritage of outdoor rock and pop music festivals in Britain since the mid-1960s, and relates it to developments in, and critiques of, corporate sponsorship in the contemporary music festival sector
Parliamentary Committee report for the Department of the Environment on ‘Pop Festivals’ with a Code of Practice, published by HMSO.
Second report of a parliamentary working group on Pop Festivals.
First report of a parliamentary working group on pop festivals.
Paper exploring the processes of mediating amplified sound waves with a particular focus on sound engineers at festivals.