Live Music Exchange Digest – w/c 13/08/2012

Welcome to our weekly digest of news and events in industry, academia and more. This week’s Live Music Exchange blog post: Dr. Paul Carr on Higher Education and the Live Music Industry (video) – Live Music Exhchange Leeds, May 4th This video from the Live Music Exchange, Leeds event features Dr. Paul Carr, Head of the Music Academy at the …  

Industry Panel (video) – Live Music Exchange, Leeds, May 5th 2012 – feat. Simon Frith and Whiskas

This is a video from the Live Music Exchange, Leeds event that featured a panel of academics and representatives from Leeds and beyond. The theme of the conference was ‘Interesting Times for Live Music’ and the panel discussed the threats and opportunities to local live music in the current economic downturn. Chaired by Martin Cloonan (University of Glasgow), the panel featured, Simon Frith (University of Edinburgh / Mercury Prize), Whiskas (Live at Leeds Unconference / Honour Before Glory / ¡Forward Russia!), Nick Simcock (Dead Young Records/Oporto), Ben Kirby (Manager of The Subways).

 

Live Music 101 #1 – The Materialist Approach to Live Music – Simon Frith

The first in a series of posts that detail the themes and ideas developed over the course of research into the history of live music in the UK. Here, Simon Frith takes a materialist approach to live music, examining the factors necessary for a live music event. Simon also offers an initial typology of performance spaces and examines how the venues in which live music events take place have affected the evolution of live music promotion.  

Stuart Galbraith & Simon Frith (video) – Live Music Exchange, Leeds (May 4th 2012)

Stuart Galbraith (Kilimanjaro Live) is interviewed by Simon Frith (University of Edinburgh/Mercury Prize) as part of the Live Music Exchange, Leeds event on May 4th 2012. Stuart covers topics such as his career history, the role of the promoter, the issues facing the live music industries, ticketing and setting ticket prices, the importance of festivals, the male domination of the live music sector, and the increasing importance of digital media.