The City of Sydney’s Live Music and Live Performance Action Plan 2013, which contains a range of recommendations as to how to encourage a healthy live music ecology.
Professor Simon Frith (University of Edinburgh) interviews Paul Latham, Chief Operating Officer of Live Nation UK and Chairman of Creative and Cultural Skills. Together they discuss Paul’s career in live music, the current state of the industry and the future of live music in the UK and globally, the relationship between the live and recording industries, and issues around secondary ticketing.
Professor Graham Welch, Chair of Music Education at the Institute of Education, discusses the latest research on the positive effects of live music on premature babies.
This study investigates the idea and practice of liveness in modern music, drawing on case studies including Glenn Gould and the White Stripes.
A blog post flagging up BBC Radio 4′s ‘Thinking Allowed’ programme, broadcast on 22 May 2013, which was devoted to the social history of live music in the UK, featuring Simon Frith.
Simon Frith reflects on the Live Music Exchange project in the context of ‘knowledge exchange’.
Martin Cloonan offers some initial impressions of the potential policy implications of conducting research in to live music; the article examines issues of regulation, the black economy and sharp business practices, and developments in concert ticketing
The fourth edition of PRS for Music’s Adding Up the UK music industry paper explores the value of the music industry and its income streams for 2011.
Report by PRS for Music showing the ‘big numbers’ for the music industries in 2008.
Today – Thursday 28th March 2013 – sees the publication of the first volume of ‘The History of Live Music in Britain’ since 1950, written by Simon Frith, Matt Brennan, Martin Cloonan, and Emma Webster, published by Ashgate.