This week’s blog is a repost of an article by Live Music Exchange’s Adam Behr in The Conversation that discusses some of the contradictory politics of Glastonbury as both a site of mainstream consumption and campaigning activity.
Today we feature a repost of an article by Live Music Exchange’s Adam Behr in The Conversation discussing the debate about headliners at Glastonbury and other festivals. Controversy around the Glastonbury line-up, given the vagaries of the British weather, is an even more reliable feature of the festival calendar than photographs of mud dwelling festival-goers. This year, Norman Cook, one of …
A new report, written by Emma Webster and George McKay and published online last week, highlights the impact of British music festivals and shows that festivals are now at the heart of the British music industry, forming an essential part of the worlds of rock, classical, folk and jazz. Funded by the Arts and Humanities Research Council’s (AHRC) Connected Communities programme, the report is based on a critical literature review of more than 170 books, papers and reports.
Ben Challis, barrister and General Counsel for Glastonbury Festivals Limited among other things, writes about the European festival association Yourope’s Standard Terms for festivals booking artists and performers for live performances, the aim of which is to protect promoters from signing contracts which force them to provide services/Riders which the promoter does not see until after the contract has been signed.
This video is the keynote address from the Live Music Exchange: Cardiff event, November 10th, 2012. Professor George McKay gives a wide ranging presentation, which covers the history of music festivals in the context of the music industry, and also deals with its relationship to a sense of place in terms of both society and geography.