Article on the impact of jazz festivals, focusing on economic impact, socio-political impact; temporal impact and intensification and transformation of experience; creative impact – music and musicians; discovery and audience development; place-making; the mediation of jazz festivals; and environmental impact.
A new report, written by Emma Webster and George McKay and published online last week, highlights the impact of British music festivals and shows that festivals are now at the heart of the British music industry, forming an essential part of the worlds of rock, classical, folk and jazz. Funded by the Arts and Humanities Research Council’s (AHRC) Connected Communities programme, the report is based on a critical literature review of more than 170 books, papers and reports.
Funded by the Arts and Humanities Research Council, the purpose of this report is to chart and critically examine available writing about the impact of British music festivals, drawing on both academic and ‘grey’/cultural policy literature in the field.
This report, written by LMX’s own Emma Webster to celebrate the AIF’s sixth birthday, places the festival sector in its historical context and looks ahead to the future to see the issues currently facing festival promoters, with a focus on the AIF’s member festivals.
With festival season coming up, Steven Brown of Glasgow Caledonian University reflects on his experiences at Festival Number 6 – winner of the best under 15,000 capacity festival at the UK Live Music Awards – and on the relationship between musical content and social context at festivals.
In this repost from 2012, Matt Brennan discusses the implications and advantages for unsigned bands of a relationship with PRS for Music.
A blog post to flag up the opportunity to contribute to The Purple Guide to Health, Safety and Welfare at Music and Other Events, currently being rewritten (2013).
Today’s guest post is by Dr. Abigail Gardner, Subject Group Leader for Media courses at the University of Gloucestershire. Here she discusses festivals, and heritage acts, in the context of how audiences experience them and their roles as living ‘archives’ of personal and musical history.
A study examining the self-reported alcohol and drug behaviours of attendees at a music festival in Scotland.
Chapter covering music festivals in Britain as part of a wider exploration of festivals in an international context.