David Rovics is a Portland-based singer songwriter of “Songs of Social Significance”. Originally published as a blog on his website, in this article David explains the economics of touring as a politically committed artist who still needs to pay the bills. We would like to thank David for permission to use this article. I suddenly feel compelled to do some …
This report, written by LMX’s own Emma Webster to celebrate the AIF’s sixth birthday, places the festival sector in its historical context and looks ahead to the future to see the issues currently facing festival promoters, with a focus on the AIF’s member festivals.
Towards the close of 2014, Pompaloose’s Jack Conte posted a detailed breakdown of their 23 date US tour income and costs, and provoked a lively blogosphere debate. With the dust settled, Live Music Exchange’s Professor Simon Frith discusses what can be learned from the post and the spectrum of perspectives it mobilised.
PRS for Music’s 2013 financial results briefing paper showed that the collection society achieved an income of £665.7m, a 3.7% increase on 2012 – live music earned £25.7m.
Dobe Newton, organiser of the live music census in the state of Victoria in Australia, gives some background to the census, a discussion of the research process, an overview of the findings and also comparison with wider industry figures.
The fourth edition of PRS for Music’s Adding Up the UK music industry paper explores the value of the music industry and its income streams for 2011.
Report by PRS for Music showing the ‘big numbers’ for the music industries in 2008.
An economic impact report on the cultural and creative industries (CCI) sector in Oxfordshire which also proposes practical steps for the support of the sector by development agencies such as Oxford Inspires.
A study of the economic impact of Oxford’s night time cultural economy, focusing on the performing arts.
One of the pioneers in the field of popular music studies, Dr. Dave Laing (from the University of Liverpool) presents valuable work on assessing the economic value of live music globally, collating data from international sources to present an overview and a sense of how the live sector compares with recording industry.