There’s No Business For Show Business – Brooke Harwood

The British theatre industry reportedly employs around 290,000 people (as of 2018), making it one of a significant employer within the UK live sector as a whole. With the continuing disruption of the COVID-19 pandemic, theatre has undoubtedly taken a substantial financial hit as a result of the virus. LMX research intern, Brooke Harwood, writes here about the efforts made to save a beleaguered theatre industry and the theatre companies’ determination to provide beloved festive shows in 2020.  

Crunching the Numbers: DIY Touring in 2018 – David Rovics

David Rovics is a Portland-based singer songwriter of “Songs of Social Significance”. Originally published as a blog on his website, in this article David explains the economics of touring as a politically committed artist who still needs to pay the bills. We would like to thank David for permission to use this article. I suddenly feel compelled to do some …  

Making Sense of Pomplamoose – Professor Simon Frith

Towards the close of 2014, Pompaloose’s Jack Conte posted a detailed breakdown of their 23 date US tour income and costs, and provoked a lively blogosphere debate. With the dust settled, Live Music Exchange’s Professor Simon Frith discusses what can be learned from the post and the spectrum of perspectives it mobilised.   

Live Music Census in Victoria, Australia – Dobe Newton

Dobe Newton, organiser of the live music census in the state of Victoria in Australia, gives some background to the census, a discussion of the research process, an overview of the findings and also comparison with wider industry figures.