Are DJ fees killing dance music? – Gareth Whitehead

This week’s blog post is by guest contributor Gareth Whitehead, who manages Bullet Dodge Records, regularly  promotes House and Techno events, and lectures in Music Business at New College Lanarkshire. In it, he highlights the issue of high DJ fees and the booking agents who ask for them, and questions whether there is now a need for collective action against …  

Live Music 101 #3 – Why Concert Promoters Matter – Matt Brennan and Emma Webster

In the third of our series on the theories that underpin our research into live music, Matt Brennan and Emma Webster attempt to define the promoter and how they operate, in an extract from ‘Why Concert Promoters Matter’, originally published in Scottish Music Review in 2011. The authors analyse existing accounts of live music promoters and offer their own analysis of what a promoter is and does, concluding that promoters may use one or more of three basic models of promotion within rock and pop: ‘independent’, ‘artist-affiliated’, and ‘venue’.