Independent research commissioned by the Scottish Artists Union examining the impact of legislation changing the conditions for pubic entertainment licensing.
Davies Roberts, founder of Flare Audio, describes a new type of loudspeaker the produces a ‘purer’ sound, in line with tests that measure ‘waveform integrity’.
An economic impact report on the cultural and creative industries (CCI) sector in Oxfordshire which also proposes practical steps for the support of the sector by development agencies such as Oxford Inspires.
A study of the economic impact of Oxford’s night time cultural economy, focusing on the performing arts.
Paper analysing the market functions of intermediaries between artist and performer, such as booking agents and presenting organisations, drawing implications for enhanced effectiveness of the performing arts market.
A practical and basic guide for orchestras, commissioned by ABO and Orchestras Live and authored by Julie’s Bicycle, it addresses the environmental impacts of their work: from office-based work to marketing and rehearsals.
A ‘how-to’ guide for music companies and individuals interested in greening their activities – from touring to offices, recording studios to festivals. Shows how the industry can meet London’s ambitious targets of cutting its emissions by 60% by 2025.
Findings of the report First Step: UK Music Industry Greenhouse Gas Emissions 2007 which identified that annual audience travel to music events accounts for 43% of greenhouse gas emissions from the UK music industry. Of this, music festivals contribute 24% of all music audience travel emissions, 68% of the festival sector’s total emissions.
Julie Bicycle’s research project that assesses the carbon impacts of bands, orchestras and theatres touring the UK and internationally. The research is funded by the music industry, the British Council, Arts Council and Orchestras Live with support from the Association of British Orchestras.