The first of three books detailing the history of live music in Britain since 1950.
Article examining the role of the encore ritual within contemporary live music events.
Article discussing higher education’s quest for ‘knowledge transfer’ in the face of ‘knowledge resistance’; academic methodologies and impartiality may not be what is required from the creative industries themselves.
Article on the importance of live music within the music industries and on the social functions of performance.
Article illustrating how King Tut’s Wah Wah Hut in Glasgow is inextricably linked to the global live music industries.
Initial findings and reflections upon the impact of live music on music policy.
A rough account of British concert promotion since 1955.
An introduction to the findings of the live music project, upon which Live Music Exchange was founded.
Simon Frith provides an academic perspective of the value of live music and the main threats facing it.
A case study of Scotland’s DF Concerts as a successful promotion business.