This article considers live music policy in relation to wider debates on the cultural (as opposed to instrumental) value of the arts, using a case study of the Queen’s Hall in Edinburgh.
A report outlining how Sheffield is a leading Music City with 788 organisations active in the music sector, 465 active bands, 70 rehearsal rooms and innovation across all music genres – including electronic, folk, free noise and rock.
A survey of LIVE DMA member organisations, covering mostly small to medium venues in Spain, Belgium, Denmark, France, Norway and the Netherlands, covering topics such as ticket sales and level of subsidy.
A report containing the findings of the Edinburgh live music census, held in June 2015, and subsequent recommendations to Edinburgh City Council.
The City of Sydney’s Live Music and Live Performance Action Plan 2013, which contains a range of recommendations as to how to encourage a healthy live music ecology.
Article examining the iconic Liverpool venues of the Cavern Club, Eric’s Club, and Cream, but which ‘decentres’ the ‘master map’ of the three venues by paying attention to hidden or alternative histories of the city’s live music scene.
Book chapter on the changing landscape of festivals in Australia which explores the human needs fulfilled by music and understand why such festivals and events have become so popular with policy makers and researchers alike.
A report estimating the total revenues of the Finnish music industries, including recorded, live, and publishing.
A world first- taking a census of all the musical activity in a city on one night, illustrating Melbourne’s music scene and providing rich data regarding music making and consumption in the state of Victoria in both small and large scale contexts.
Dave Laing maps popular music performance sites to understand the links between performers and their audiences, drawing on case studies including Elton John, and Manchester in the 1960s.