A report providing a map of the music industries in Scotland- with information on live and recorded music, teaching, retail and more. Includes interviews with stakeholders and case studies.
Report by the chief economist for the PRS offering an economic view of how best to approach the question of whether live music will overtake the recorded sector.
The paper offers a framework to help understand the economics behind the commonly held observation that the price of recorded music is ‘heading towards zero’. This economic approach helps show us how recorded music has long lost any notion of being a ‘pure private good’ and now risks becoming a ‘pure public good’.
Mintel’s report analyses trends in the music concert and festival industry in 2004.
Mintel’s report analyses trends in the music concert and festival industry in 2006, featuring exclusive consumer research highlighting the main audiences for each genre.
Market research firm Mintel’s report into the apparent boom in live music in the 21st-century.
Market research firm, Mintel’s report on the live entertainment market in 2007.
A paper illustrating how organisations can operate in the live music sphere with practices and ideologies distinct from commercial live music promoters, using Dublin’s Hope Collective as a case study.
Study on live music promoters, based on ethnographic research in Glasgow, Sheffield, and Bristol.
Article discussing higher education’s quest for ‘knowledge transfer’ in the face of ‘knowledge resistance’; academic methodologies and impartiality may not be what is required from the creative industries themselves.