What Makes a Music City? – Robert Kronenburg

Robert Kronenburg explores the idea of a ‘Music City’, a term starting to be used more widely to describe initiatives being developed by some cities that recognise popular music as a key part of their heritage and identity and as a possible vehicle for regeneration and cultural tourism.  

Response to PRS for Music Popular Music Concerts Tariff review – Mark Davyd (Music Venue Trust) and John Markey (Young Aviators)

In December 2015, collecting society PRS for Music published a summary of responses from its consultation on the terms of its Popular Music Concerts Tariff (‘LP’) that is applied to ticketed live popular music events such as concerts and festivals. To discuss the document, we asked Mark Davyd of Music Venue Trust to comment from the perspective of live music venues, and we asked John Markey, drummer and backing vocalist in Glasgow band Young Aviators, to give the perspective of a musician in receipt of PRS royalties.  

Ten Things Learned at Venues Day 2015 – Emma Webster

Emma Webster’s blog post listing ten things learned at Venues Day 2015, from the need to make some noise about the issues facing small venues, to whether audiences are getting older, to suggestions of adopting the French model of a ticket levy to raise revenue for venues.  

The Musicians’ Union Fair Play Venues Scheme – Sheena Macdonald

This week’s blog post explains the rationale behind the Musicians’ Union Fair Play Venues scheme. Sheena Macdonald – Musicians’ Union Regional Organiser for Scotland and Northern Ireland – discusses the background to the scheme and opportunities for musicians to participate. I came to my job at the Musicians’ Union (MU) as a fan, a fan of live music. And like …  

Venues Day 2014 – Mark Davyd

Mark Davyd, creator and CEO of the Music Venue Trust, muses on Venues Day 2014, an event celebrating small independent music venues across the UK.  

The Cultural Value of Live Music from the Pub to the Stadium: Getting Beyond the Numbers – Adam Behr, Matt Brennan and Martin Cloonan (2014)

This report was produced as part of the Arts and Humanities Council’s (AHRC) Cultural Value project and with the co-operation of UK Music, the Musicians’ Union and PRS for Music. It looks behind the headline numbers to examine the relationships between venues and provide a qualitative illustration of the live music ecology in three locations – Camden, Glasgow and Leeds.