Adele Beats The Touts – Bob Lefsetz

This week’s blog post was written by music industries blogger, Bob Lefsetz, and originally published in the regular Lefsetz Letter. In it, he examines the live music and ticketing industries, and Adele’s attempts to beat the touts for her latest tour.  

Mastering Tickets (repost) – Martin Cloonan

A repost of a piece by Martin Cloonan on the secondary ticketing market in which he discusses issues of fairness and ownership in relation to tickets, first published on the Live Music Exchange blog in February 2012.  

The $20 Ticket – Bob Lefsetz

This week’s blog post was written by music industries blogger, Bob Lefsetz, and originally published in the regular Lefsetz Letter, republished here with permission. In it, he shows how Kid Rock bargained with his merch company, and his promoter and ticket agent, in order to get a fairer deal for the fans.  

Live Music 101 # 5: Promoters and risk – Emma Webster

In this addition to the ‘Live Music 101’ series of blog posts detailing the themes and ideas that developed over the course of our initial live music research project, Emma Webster offers a model of economic risk that includes the promoter, and also defines three broad ticketing (revenue) models the promoter can use in order to recoup their initial investment.  

Five ways to improve disabled access at festivals – Howard Thorpe, ABLE2UK

Last Summer Howard Thorpe of ABLE2UK staged his first concert for disabled awareness. Based on the website, ABLE2UK, the night welcomed the likes of Steve Cradock, Miles Kane, Frank Turner, Billy Bragg, Mystery Jets, and Friendly Fires for a five-hour benefit concert at Camden’s Roundhouse to fund more disabled facilities at festivals throughout the UK. He talks here about five ways to improve such access.