Today’s post contains information about an important new research project in Edinburgh being run by the Live Music Exchange team. There are opportunities for live music practitioners and audiences across Edinburgh to get involved. Read on to find out more and do get in touch if you’re interested.
Category Archives: Blog
What makes a music festival? Context versus content, and the case of Festival Number 6 – Steven Brown
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Throwing A Lifeline To Grass Roots Music Venues – Horace Trubridge
Throwing A Lifeline To Grass Roots Music Venues – Horace Trubridge
Horace Trubridge, Assistant General Secretary of the Musicians’ Union reflects on his experience of music venues and the increasingly challenging environment in which they operate. He suggests that if a healthy grass roots live scene is key to the emergence of the talent which fuels the music industry, shouldn’t the industry be doing more to help?
Making Sense of Pomplamoose – Professor Simon Frith
Towards the close of 2014, Pompaloose’s Jack Conte posted a detailed breakdown of their 23 date US tour income and costs, and provoked a lively blogosphere debate. With the dust settled, Live Music Exchange’s Professor Simon Frith discusses what can be learned from the post and the spectrum of perspectives it mobilised.
‘Understanding Small Music Venues’: Introducing an Interim Findings Report – Mark Davyd
Reflections on music related hearing damage – Chris Adams
Ten Things Learned at Venues Day 2014 – Emma Webster
Venues Day 2014 – Mark Davyd
Changing horses: on track with the Riderless contract – Ben Challis
Ben Challis, barrister and General Counsel for Glastonbury Festivals Limited among other things, writes about the European festival association Yourope’s Standard Terms for festivals booking artists and performers for live performances, the aim of which is to protect promoters from signing contracts which force them to provide services/Riders which the promoter does not see until after the contract has been signed.