Live Music Exchange’s Adam Behr writes in The Conversation today about the potential fallout for touring musicians following the attack on The Eagles of Death metal gig in Paris last month.
This week’s blog post was written by music industries blogger, Bob Lefsetz, and originally published in the regular Lefsetz Letter. In it, he examines the live music and ticketing industries, and Adele’s attempts to beat the touts for her latest tour.
Matt Brennan attended his first Airwaves Festival in Reykjavik, Iceland, in November of this year. He also went along to the industry “Nonference” daytime programme hosted by Iceland Music Export. This blog post reports on the five things he learned from the experience.
In anticipation of the EFG London Jazz Festival, Emma Webster’s blog post considers the signs of festival – how we know a festival is on its way before it begins.
Emma Webster’s blog post listing ten things learned at Venues Day 2015, from the need to make some noise about the issues facing small venues, to whether audiences are getting older, to suggestions of adopting the French model of a ticket levy to raise revenue for venues.
This week’s blog post marks the release of Adam Behr, Emma Webster and Matt Brennan’s report on the findings of the Edinburgh live music census, held in June 2015, including highlights from the report, subsequent recommendations to Edinburgh City Council, and links to the report itself.
This week’s blog post explains the rationale behind the Musicians’ Union Fair Play Venues scheme. Sheena Macdonald – Musicians’ Union Regional Organiser for Scotland and Northern Ireland – discusses the background to the scheme and opportunities for musicians to participate. I came to my job at the Musicians’ Union (MU) as a fan, a fan of live music. And like …
In today’s post, Professor Simon Frith examines aspects of musical performance and, in the process, reconsiders performance studies as an academic pursuit.
The PRS for Music Review of Popular Music Concerts Tariff is in progress (‘Tariff LP’). Originally scheduled to end on June 8th, it has now been extended to September 30th. While the review continues, and as we await the findings, Kenny Barr introduces some of the main issues at stake.
Neil Cooper is an arts journalist and critic who writes extensively for The Herald, The List and other publications in Scotland and beyond. Active in promoting, and protecting, Scotland’s live music scene, he provides an overview here of the rich variety of musical assets in Edinburgh – and the challenges they face.