Following on from last week’s post about the demise of Sonisphere, a couple of new points have arisen:- 1) As posited by John Muir in response to my post last week, it seems that the reason for the cancellation of Sonisphere was as a result of poor ticket sales, claimed by The Independent to be because rock and metal fans …
In the light of yesterday’s announcement that Kilimanjaro Live’s Sonisphere festival has been cancelled, today’s blog examines some of the factors that have caused the cancellation of festivals over the past few years. Sonisphere is not the only ‘big’ festival to cancel in 2012, of course – The Big Chill’s organisers, Festival Republic, announced in January that 2012 would be …
More bad weather for the Edinburgh live music ecology, with chilly conditions across Scotland, and for other activities. The situation for local live music is already problematic given Edinburgh’s disappearing venue situation. Now, changes in the law to come into effect, appropriately enough, on April Fools’ Day threaten to put more tacks in the road for artists and enthusiast promoters …
Last week’s Dispatches documentary about the secondary ticketing market has sent a squall of feedback through the public discussion channel on the live music sector, notwithstanding that some voices have been suggesting that the matter needed airing for some time now. Amongst them, our own Martin Cloonan has offered a substantive account of issues regarding the status of the ticket …
Edinburgh sometimes feels like a ghost town after the Festival – a city with a hangover, figuratively and literally. After a theatrical and musical binge when it feels like every back room and every spare courtyard is a venue, we return to a shrunken version of Auld Reekie. Maybe it seems a bit early in the year to be making …
Welcome to the blog for the Live Music Exchange. We are a new resource for stakeholders in the U.K live music sector and beyond including- promoters, agents, venues, musicians, production crew, academics, policy makers, third sector organisations and audiences. We are part of a knowledge transfer project emerging from three years of in-depth and wide-ranging research into the social, cultural …