Investigating ‘Impact’ — Stephen Henderson

A post by Dr. Stephen Henderson, an authority on event marketing and management and Senior Lecturer at Leeds Metropolitan University. Here he discusses the matter of ‘impact’ and points towards the need for a clear-sighted approach to defining it.  

Hamish Birchall on the Live Music Act 2012

Jazz drummer and tireless music campaigner Hamish Birchall was a driving force behind the recent passage of the Live Music Act which frees up smaller venues to provide live music. In this post, he answers some questions about the campaign and the Act itself, for which many musicians and venues will have cause to be thankful.  

More than a Feeling, More than Music: Diversity and Experience in Live Music – Fabian Holt

Fabian Holt of Roskilde University considers the relationship between festivals and branding along with the management and control of diversity in musical and geographical spaces. In addition to being a distinct field of production, live music is increasingly becoming a topic of conversation in placemarketing, tourism, urban and regional development, and in cultural and economic policy-making.  

Live music and memory – Simon Frith

Simon Frith reflects on personal experience and its role in our recollection of gigs. He considers physical mementos, such as tickets, and the emotional investment we make in gigs to look at how memory interacts with music, and its history.
 

Anatomy of a Gig #1 – John Bramwell (I Am Kloot) – Emma Webster

This first in a series – Anatomy of a Gig – introduces a space for people to comment objectively about live music events that they have attended, to build a resource for promoters and musicians on what works and what doesn’t work at a gig. In this way, the Anatomy of a Gig series will review the gig as a live music event rather than reviewing the music per se. Emma Webster kicks off with an account of a John Bramwell show.  

Pompey Pop – guest post by Dave Allen, University of Portsmouth

In the second of our guest blog posts, Dr Dave Allen from the University of Portsmouth writes about popular music in Portsmouth from 1944 till 1969.  For more about the project, see the website here, or read Dave’s excellent blog. Pompey Pop In 2010 I came to Edinburgh University to describe my project “Pompey Pop” which covers popular music in …