Hidden revenues in playing ‘unsigned stages’ on the festival circuit – Matt Brennan

Music festival season for young, inexperienced, and unsigned artists, can be a time spent anxiously waiting to see whether they are one of the chosen few selected to perform on the ‘unsigned stages’ that are present at most major festivals in the country.

Less well known than the much-touted exposure that they can bring an unsigned band is the introduction that they bring to the PRS whose collection of revenues from events like festivals is hotly disputed by promoters. Here, Matt Brennan discusses the implications and advantages for unsigned bands of a relationship with the agency.  

What’s it worth? Calculating the economic value of live music – Dave Laing

One of the pioneers in the field of popular music studies, Dr. Dave Laing (from the University of Liverpool) presents valuable work on assessing the economic value of live music globally, collating data from international sources to present an overview and a sense of how the live sector compares with recording industry.  

Stuart Galbraith & Simon Frith (video) – Live Music Exchange, Leeds (May 4th 2012)

Stuart Galbraith (Kilimanjaro Live) is interviewed by Simon Frith (University of Edinburgh/Mercury Prize) as part of the Live Music Exchange, Leeds event on May 4th 2012. Stuart covers topics such as his career history, the role of the promoter, the issues facing the live music industries, ticketing and setting ticket prices, the importance of festivals, the male domination of the live music sector, and the increasing importance of digital media.  

Investigating ‘Impact’ — Stephen Henderson

A post by Dr. Stephen Henderson, an authority on event marketing and management and Senior Lecturer at Leeds Metropolitan University. Here he discusses the matter of ‘impact’ and points towards the need for a clear-sighted approach to defining it.  

Hamish Birchall on the Live Music Act 2012

Jazz drummer and tireless music campaigner Hamish Birchall was a driving force behind the recent passage of the Live Music Act which frees up smaller venues to provide live music. In this post, he answers some questions about the campaign and the Act itself, for which many musicians and venues will have cause to be thankful.  

More than a Feeling, More than Music: Diversity and Experience in Live Music – Fabian Holt

Fabian Holt of Roskilde University considers the relationship between festivals and branding along with the management and control of diversity in musical and geographical spaces. In addition to being a distinct field of production, live music is increasingly becoming a topic of conversation in placemarketing, tourism, urban and regional development, and in cultural and economic policy-making.