‘Live’ / ‘Archive’ – Dr. Abigail Gardner

Today’s guest post is by Dr. Abigail Gardner, Subject Group Leader for Media courses at the University of Gloucestershire. Here she discusses festivals, and heritage acts, in the context of how audiences experience them and their roles as living ‘archives’ of personal and musical history.  

120 years ago today – John Williamson

This is the latest in an occasional series of posts originating from ‘The Musicians’ Union: A Social History’ – an AHRC and ESRC funded research project based in the School of Culture and Creative Arts at the University of Glasgow. Dr. John Williamson looks back at the origins of the Musicians’ Union, on the occasion of its 120th anniversary last month.  

Music Licensing and Sustainable Nightlife: Germany’s “GEMA- Tarifreform” Debates – Luis-Manuel Garcia

Our latest guest post is by Luis-Manuel Garcia, of the Max Planck Institute for Human Development, Berlin. It provides a brief overview of the author’s in-depth article for Resident Advisor. Here he explains the background to the dispute that has erupted regarding the German royalty collection society’s proposed tariff reforms and their potential effect on the nightclub scene.  

Live Music Census in Victoria, Australia – Dobe Newton

Dobe Newton, organiser of the live music census in the state of Victoria in Australia, gives some background to the census, a discussion of the research process, an overview of the findings and also comparison with wider industry figures.  

The $20 Ticket – Bob Lefsetz

This week’s blog post was written by music industries blogger, Bob Lefsetz, and originally published in the regular Lefsetz Letter, republished here with permission. In it, he shows how Kid Rock bargained with his merch company, and his promoter and ticket agent, in order to get a fairer deal for the fans.