Jonny Walker, explains what the Keep Streets Live Campaign against Camden Council’s decision to license busking is currently up to and how to get involved.
Today’s post features Professor George McKay writing in response to the death of Nelson Mandela about some of the experiences of South African jazz musicians under apartheid in the 1960s.
Today’s guest post is by Suzanne Bull MBE – Chief Officer at Attitude is Everything – a project working towards improving access to live music for disabled people. Here she explains the origins of the project, the philosophy behind its continuing work with market leading festivals and venues, the Charter system of best practice and the forthcoming State of Access report.
Louise Dodgson, Editor of The Unsigned Guide on the perils of pay to play at the grassroots level – she discusses what pay to play is and isn’t, and how to avoid pay to play.
Today’s guest post by Jonny Walker – singer, songwriter and founder of the Association of Street Performers – comes in the face of recent moves against buskers by Camden council, which is considering draconian restrictions and fines. In advance of the council decision next week, Jonny outlines the ramifications of these proposals and the relationship of street music to city life.
A repost of a blog post by Dr. Stephen Henderson, an authority on event marketing and management and Senior Lecturer at Leeds Metropolitan University. Here he discusses the matter of ‘impact’ and points towards the need for a clear-sighted approach to defining it.
Professor Simon Frith (University of Edinburgh) interviews Paul Latham, Chief Operating Officer of Live Nation UK and Chairman of Creative and Cultural Skills. Together they discuss Paul’s career in live music, the current state of the industry and the future of live music in the UK and globally, the relationship between the live and recording industries, and issues around secondary ticketing.
Eileen Hogan, of University College Cork, discusses the annual Arthur’s Day celebration and the relationship of Guinness – along with its parent company Diageo – to live music, along with the wider implications of corporate sponsorship for cultural activity and identity.
Visual artist Jenny Soep discusses her experiences of drawing live music, the pros and cons of using ‘traditional’ and digital materials, her personal guidelines for drawing live music, and links to other artists who draw or visualise live music in one form or another.
Today’s guest post is by James Hadfield, an English writer and photographer based in Tokyo, where he writes about music and other subjects for The Japan Times and Tokyo TimeOut amongst others. In this piece he looks at the ubiquity of pay-to-play, or noruma, in the Japanese capital.