Get into live music – or not . . . – Emma Webster

Get into live music – or not . . . Since I was little, I always wanted to be a live sound engineer and even now I can quite happily spend an evening watching the mixing desk rather than watching the band on stage.  I went to a gig last week and did exactly that, and it got me wondering: …  

Licensing to kill? – Adam Behr

More bad weather for the Edinburgh live music ecology, with chilly conditions across Scotland, and for other activities. The situation for local live music is already problematic given Edinburgh’s disappearing venue situation. Now, changes in the law to come into effect, appropriately enough, on April Fools’ Day threaten to put more tacks in the road for artists and enthusiast promoters …  

Surfing troubled waters: The ticketmasters and history’s web – Adam Behr

Last week’s Dispatches documentary about the secondary ticketing market has sent a squall of feedback through the public discussion channel on the live music sector, notwithstanding that some voices have been suggesting that the matter needed airing for some time now. Amongst them, our own Martin Cloonan has offered a substantive account of issues regarding the status of the ticket …  

Hello. An introduction to the Live Music Exchange

Welcome to the blog for the Live Music Exchange. We are a new resource for stakeholders in the U.K live music sector and beyond including- promoters, agents, venues, musicians, production crew, academics, policy makers, third sector organisations and audiences. We are part of a knowledge transfer project emerging from three years of in-depth and wide-ranging research into the social, cultural …