What’s it worth? Calculating the economic value of live music – Dave Laing

One of the pioneers in the field of popular music studies, Dr. Dave Laing (from the University of Liverpool) presents valuable work on assessing the economic value of live music globally, collating data from international sources to present an overview and a sense of how the live sector compares with recording industry.  

Stuart Galbraith & Simon Frith (video) – Live Music Exchange, Leeds (May 4th 2012)

Stuart Galbraith (Kilimanjaro Live) is interviewed by Simon Frith (University of Edinburgh/Mercury Prize) as part of the Live Music Exchange, Leeds event on May 4th 2012. Stuart covers topics such as his career history, the role of the promoter, the issues facing the live music industries, ticketing and setting ticket prices, the importance of festivals, the male domination of the live music sector, and the increasing importance of digital media.  

Investigating ‘Impact’ — Stephen Henderson

A post by Dr. Stephen Henderson, an authority on event marketing and management and Senior Lecturer at Leeds Metropolitan University. Here he discusses the matter of ‘impact’ and points towards the need for a clear-sighted approach to defining it.  

More than a Feeling, More than Music: Diversity and Experience in Live Music – Fabian Holt

Fabian Holt of Roskilde University considers the relationship between festivals and branding along with the management and control of diversity in musical and geographical spaces. In addition to being a distinct field of production, live music is increasingly becoming a topic of conversation in placemarketing, tourism, urban and regional development, and in cultural and economic policy-making.  

Live music and memory – Simon Frith

Simon Frith reflects on personal experience and its role in our recollection of gigs. He considers physical mementos, such as tickets, and the emotional investment we make in gigs to look at how memory interacts with music, and its history.