One of the pioneers in the field of popular music studies, Dr. Dave Laing (from the University of Liverpool) presents valuable work on assessing the economic value of live music globally, collating data from international sources to present an overview and a sense of how the live sector compares with recording industry.
Stuart Galbraith (Kilimanjaro Live) is interviewed by Simon Frith (University of Edinburgh/Mercury Prize) as part of the Live Music Exchange, Leeds event on May 4th 2012. Stuart covers topics such as his career history, the role of the promoter, the issues facing the live music industries, ticketing and setting ticket prices, the importance of festivals, the male domination of the live music sector, and the increasing importance of digital media.
Fabian Holt of Roskilde University considers the relationship between festivals and branding along with the management and control of diversity in musical and geographical spaces. In addition to being a distinct field of production, live music is increasingly becoming a topic of conversation in placemarketing, tourism, urban and regional development, and in cultural and economic policy-making.
In the first of our guest blog posts, Horace Trubridge, Assistant General Secretary of the Musicians’ Union, writes about the up-coming London 2012 Olympics and finds that, as usual, musicians are getting a raw deal. If you have had a similar experience or would like to join the debate, please do leave a comment underneath the post. A Story as …