In today’s blog post Zósimo López, of the University of Santiago de Compostela, discusses the historical and currrent formulation of musicians’ organisations in Galicia, Spain, along with the impact of the wider economy on collective labour activities in the music industries.
This week’s blog post is by Live Music Exchange’s own Emma Webster, in response to The Times‘ leader about the removal of nightclubs from the ONS ‘basket of goods’ in March 2016. The post draws attention to The Times’ seeming horror at the inefficiency of the process, a latent hatred of nightclubs, an implicit fear of gathering crowds, and the delight in the pursuit of individual rather than group pleasure. The piece offers a defence of nightclubs from an economic and social perspective, and questions the real motives behind the glee of the author in chronicling the demise of the nightclub sector.
As a new show covering Beatles recording sessions at Abbey Road premiers at the Royal Albert Hall, Live Music Exchange’s Adam Behr writes in The Conversation today about talking to the show’s producer, how the Beatles changed the status of the record in popular music, and the challenges of depicting that process on stage.
Dr. Beate Flath of the University of Paderborn discusses her the intersections of music/sound, (digital) media, economy and the aesthetics of the everyday in relation to live music and digital mobile devices.
Live Music Exchange’s Adam Behr writes in The Conversation today about the potential fallout for touring musicians following the attack on The Eagles of Death metal gig in Paris last month.
Matt Brennan attended his first Airwaves Festival in Reykjavik, Iceland, in November of this year. He also went along to the industry “Nonference” daytime programme hosted by Iceland Music Export. This blog post reports on the five things he learned from the experience.
In anticipation of the EFG London Jazz Festival, Emma Webster’s blog post considers the signs of festival – how we know a festival is on its way before it begins.
This week’s blog post marks the release of Adam Behr, Emma Webster and Matt Brennan’s report on the findings of the Edinburgh live music census, held in June 2015, including highlights from the report, subsequent recommendations to Edinburgh City Council, and links to the report itself.
In today’s post, Professor Simon Frith examines aspects of musical performance and, in the process, reconsiders performance studies as an academic pursuit.
The PRS for Music Review of Popular Music Concerts Tariff is in progress (‘Tariff LP’). Originally scheduled to end on June 8th, it has now been extended to September 30th. While the review continues, and as we await the findings, Kenny Barr introduces some of the main issues at stake.