As a new show covering Beatles recording sessions at Abbey Road premiers at the Royal Albert Hall, Live Music Exchange’s Adam Behr writes in The Conversation today about talking to the show’s producer, how the Beatles changed the status of the record in popular music, and the challenges of depicting that process on stage.
Dr. Beate Flath of the University of Paderborn discusses her the intersections of music/sound, (digital) media, economy and the aesthetics of the everyday in relation to live music and digital mobile devices.
Live Music Exchange’s Adam Behr writes in The Conversation today about the potential fallout for touring musicians following the attack on The Eagles of Death metal gig in Paris last month.
Matt Brennan attended his first Airwaves Festival in Reykjavik, Iceland, in November of this year. He also went along to the industry “Nonference” daytime programme hosted by Iceland Music Export. This blog post reports on the five things he learned from the experience.
In anticipation of the EFG London Jazz Festival, Emma Webster’s blog post considers the signs of festival – how we know a festival is on its way before it begins.
This week’s blog post marks the release of Adam Behr, Emma Webster and Matt Brennan’s report on the findings of the Edinburgh live music census, held in June 2015, including highlights from the report, subsequent recommendations to Edinburgh City Council, and links to the report itself.
In today’s post, Professor Simon Frith examines aspects of musical performance and, in the process, reconsiders performance studies as an academic pursuit.
The PRS for Music Review of Popular Music Concerts Tariff is in progress (‘Tariff LP’). Originally scheduled to end on June 8th, it has now been extended to September 30th. While the review continues, and as we await the findings, Kenny Barr introduces some of the main issues at stake.
Today’s post contains information about an important new research project in Edinburgh being run by the Live Music Exchange team. There are opportunities for live music practitioners and audiences across Edinburgh to get involved. Read on to find out more and do get in touch if you’re interested.
With festival season coming up, Steven Brown of Glasgow Caledonian University reflects on his experiences at Festival Number 6 – winner of the best under 15,000 capacity festival at the UK Live Music Awards – and on the relationship between musical content and social context at festivals.