With festival season coming up, Steven Brown of Glasgow Caledonian University reflects on his experiences at Festival Number 6 – winner of the best under 15,000 capacity festival at the UK Live Music Awards – and on the relationship between musical content and social context at festivals.
With an amendment to the Consumer Rights Bill finally making some provision for greater transparency in ticket sales, Live Music Exchange’s Adam Behr takes a look at the history of attempts to regulate the secondary ticketing and calls for continued vigilance in the run up to next year’s review of it.
Throwing A Lifeline To Grass Roots Music Venues – Horace Trubridge
Horace Trubridge, Assistant General Secretary of the Musicians’ Union reflects on his experience of music venues and the increasingly challenging environment in which they operate. He suggests that if a healthy grass roots live scene is key to the emergence of the talent which fuels the music industry, shouldn’t the industry be doing more to help?
Towards the close of 2014, Pompaloose’s Jack Conte posted a detailed breakdown of their 23 date US tour income and costs, and provoked a lively blogosphere debate. With the dust settled, Live Music Exchange’s Professor Simon Frith discusses what can be learned from the post and the spectrum of perspectives it mobilised.
Ben Challis, barrister and General Counsel for Glastonbury Festivals Limited among other things, writes about the European festival association Yourope’s Standard Terms for festivals booking artists and performers for live performances, the aim of which is to protect promoters from signing contracts which force them to provide services/Riders which the promoter does not see until after the contract has been signed.