‘Understanding Small Music Venues’: Introducing an Interim Findings Report – Mark Davyd

The Music Venue Trust and the Institute for Contemporary Music Performance present the interim findings from their national research into the UK’s music venue circuit.

Reflections on music related hearing damage – Chris Adams

Chris Adams on loudness induced hearing damage caused by working in live music environments and a plea for better education for those working with (and enjoying) loud live music.

Ten Things Learned at Venues Day 2014 – Emma Webster

Ten things learned at the inaugural Venues Day 2014 at London’s Southbank Centre in December 2014.

Live Music Matters: Planning for Live Music and Performance in Sydney: 2013 Live Music and Performance Action Plan – City of Sydney Live Music and Live Performance Taskforce

The City of Sydney’s Live Music and Live Performance Action Plan 2013, which contains a range of recommendations as to how to encourage a healthy live music ecology.

Venues Day 2014 – Mark Davyd

Mark Davyd, creator and CEO of the Music Venue Trust, muses on Venues Day 2014, an event celebrating small independent music venues across the UK.

Changing horses: on track with the Riderless contract – Ben Challis

Ben Challis, barrister and General Counsel for Glastonbury Festivals Limited among other things, writes about the European festival association Yourope’s Standard Terms for festivals booking artists and performers for live performances, the aim of which is to protect promoters from signing contracts which force them to provide services/Riders which the promoter does not see until after the contract has been signed.

Ten Things Learned at the Festival Congress 2014 – Emma Webster

Ten things learned at the inaugural Association of Independent Festivals’ Festival Congress in Cardiff in October 2014.

Unresolved questions in the history of live music 1953-64 – Colin Miller

Today’s post is by Colin Miller – a writer of local histories. Here he discusses his musical memories of Leicester, 1953 – 1964

The Audience – Simon Frith

Live Music Exchange’s Professor Simon Frith discusses the audience as a collective and then questions its sociological role in concerts and the problems that attracting an audience poses for promoters, arts organisations and academics as they engage in audience building and audience research.

A Dynamic Mapping of the UK’s Creative Industries – Hasan Bakhshi, Alan Freeman and Peter Higgs (Nesta) (2013)

Author(s): Hasan Bakhshi, Alan Freeman and Peter HiggsPublisher: NestaDate: January 2013 Click here to read the full report This paper argues that, despite its strengths, the UK Department of Culture, Media and Sport (DCMS) classification of the creative industries contains inconsistencies which need to be addressed to make it fully fit for purpose. It presents an improved methodology which retains …