Article on how musicians deal with inebriated audiences, based on qualitative research, and exploring whether musicians require training in alcohol-related issues.
In today’s blog post Zósimo López, of the University of Santiago de Compostela, discusses the historical and currrent formulation of musicians’ organisations in Galicia, Spain, along with the impact of the wider economy on collective labour activities in the music industries.
Today’s post – by Professor Anne Danielsen of the University of Oslo – outlines research into the digital environment to explore the new relationships between live and mediated forms of music resulting from online communication and distribution.
This week’s blog post is by Live Music Exchange’s own Emma Webster, in response to The Times‘ leader about the removal of nightclubs from the ONS ‘basket of goods’ in March 2016. The post draws attention to The Times’ seeming horror at the inefficiency of the process, a latent hatred of nightclubs, an implicit fear of gathering crowds, and the delight in the pursuit of individual rather than group pleasure. The piece offers a defence of nightclubs from an economic and social perspective, and questions the real motives behind the glee of the author in chronicling the demise of the nightclub sector.
As a new show covering Beatles recording sessions at Abbey Road premiers at the Royal Albert Hall, Live Music Exchange’s Adam Behr writes in The Conversation today about talking to the show’s producer, how the Beatles changed the status of the record in popular music, and the challenges of depicting that process on stage.
To mark the publication of our academic article on the live music ecology, the LMX team is publishing our original discussion notes. These illustrate the origins of the ideas that inform the article but include points that weren’t further developed (and perhaps should have been). We thought it worth making public—particularly in relation to this topic—an aspect of the academic process that is usually hidden.
In this week’s post we’re pleased to present Neil Cooper’s stirring address to Edinburgh’s Live Music Matters Forum at Usher Hall last week, organised by City of Edinburgh Council. His overview shows that that the cultural life of a city cannot be taken for granted in the face of urban development.
From 2005 to 2006 a professional orchestra (the Irish Chamber Orchestra) performed in a university teaching hospital with the aims of bringing live music to patients who could not access traditional concert venues and of improving quality of life for patients and staff.
Dr. Beate Flath of the University of Paderborn discusses her the intersections of music/sound, (digital) media, economy and the aesthetics of the everyday in relation to live music and digital mobile devices.
Last year’s LMX intern Chris Adams (aka self described failed music-maker Piet Haag ), adds to the ongoing discussion over the small venue crisis with an alternative and musician focused perspective.