Investigating ‘Impact’ – Stephen Henderson – first published May 2012

A repost of a blog post by Dr. Stephen Henderson, an authority on event marketing and management and Senior Lecturer at Leeds Metropolitan University. Here he discusses the matter of ‘impact’ and points towards the need for a clear-sighted approach to defining it.

Paul Latham and Simon Frith (video) – Live Music Exchange, London – Tuesday 14th May 2013

Professor Simon Frith (University of Edinburgh) interviews Paul Latham, Chief Operating Officer of Live Nation UK and Chairman of Creative and Cultural Skills. Together they discuss Paul’s career in live music, the current state of the industry and the future of live music in the UK and globally, the relationship between the live and recording industries, and issues around secondary ticketing.

Sustainable Production Guide – Julie’s Bicycle (2013)

Julie’s Bicycle guide contains the most up-to-date and comprehensive guidance to help you embed good environmental sustainability practice at the heart of your production.

New World Symphony: Summary Report: 2010 – 2013 Concert Format Assessment – Alan Brown and Rebecca Ratzkin (2013)

Executive summary of the results of New World Symphony’s trial of four different concert formats, designed to attract new and different audiences.

The Rocktober Report: The Live Music Act, One Year On – UK Music / Musicians’ Union

Report co-produced by the Musicians’ Union and UK Music which assesses the impact of the Live Music Act 2012, published one year after the introduction of the Act.

‘To Arthur!’ Guinness, the Irish state and live music – Eileen Hogan

Eileen Hogan, of University College Cork, discusses the annual Arthur’s Day celebration and the relationship of Guinness – along with its parent company Diageo – to live music, along with the wider implications of corporate sponsorship for cultural activity and identity.

“One more tune!” The encore ritual in live music events – Emma Webster

A paper examining the curious phenomenon of the encore ritual in live music events, which argues that while the encore began as a spontaneous display of audience enthusiasm, it has now become an expected and ritualized part of a live music performance.

Drawing Live Music – A Different Kind of ‘Listening’ – Jenny Soep

Visual artist Jenny Soep discusses her experiences of drawing live music, the pros and cons of using ‘traditional’ and digital materials, her personal guidelines for drawing live music, and links to other artists who draw or visualise live music in one form or another.

The pervasive curse of pay-to-play in Tokyo – James Hadfield

Today’s guest post is by James Hadfield, an English writer and photographer based in Tokyo, where he writes about music and other subjects for The Japan Times and Tokyo TimeOut amongst others. In this piece he looks at the ubiquity of pay-to-play, or noruma, in the Japanese capital.

Ghosts from the Bridge – Darren Mueller

This guest post by Darren Mueller- saxophonist, teacher and PhD candidate at Duke University – reflects on how live jazz performances are haunted, and infused, by the recordings of the past.