In our latest blog post, Live Music Exchange co-founder Professor Simon Frith OBE reflects on the history of festivals, along with how they have been studied, and considers the implications of Covid-19 for their future.
Our latest post is by Dr Craig Hamilton (Birmingham City University) and introduces the Birmingham music map – part of the Birmingham Live Music Project that he is working on with Dr Patrycja Rozbicka and Live Music Exchange’s Dr Adam Behr. Craig provides an overview of the map’s functions and a walkthrough of the technical aspects of creating it.
Our latest post is by Professor Simon Frith OBE, Professor Emeritus at the University of Edinburgh, former Chair of the Mercury Prize, music critic, and co-founder of Live Music Exchange. Here, he reflects on past gigs and the curtailment of live music activity as a result of Covid-19, from a personal and sociological perspective.
Author(s): Patrycja Rozbicka, Craig Hamilton, Adam Behr, Patricia Correa Vila, Luke John Davies Organisation: Aston University/Birmingham City University/Newcastle University Date: 2019 A report produced through collaborative research work undertaken at Aston University, Newcastle University and Birmingham City University. It seeks to look at the ways in which the live music ecology of Birmingham is constituted and how the sector is approaching challenges related to local, national …
In this post, we’re introducing a special issue of the Journal of The International Association for the Study of Popular Music co-edited by the Live Music Exchange’s Martin Cloonan and Adam Behr, with Beate Flath. Festivals, along with live music in general, are increasingly a part of the broader political process and, relatedly, the cultural policy process. This timely issue approaches the politics of popular music festivals from a range of theoretical and geographical perspectives.
On March 19th, after a lengthy inquiry, the UK Parliament’s Digital, Culture, Media and Sport Committee produced its report on live music, drawing on numerous evidence submissions, including from the Live Music Exchange. Having followed the proceedings, this post sees LMX’s Martin Cloonan and Adam Behr assess the contents of the report, beyond the headlines.