LATEST BLOG POSTS
Chase Park Festival is one of the UK’s most inclusive festivals and is one of very few to have been awarded Gold for accessibility by Attitude Is Everything. This week’s blog post by the festival’s organiser, Alistair McDonald, gives some background to the festival, lays out some ideas for best practice around accessibility, and offers some more general advice to people looking to run events.
2017 saw the fourth instalment of the (hopefully) now annual Venues Day, which gathered over 300 venues from across the UK in one room at the Ministry of Sound in London. The ten things we learned this year include developments around the Agent of Change principle, the importance of data, and that generally (hopefully!) the situation seems to be starting to improve for the grassroots music venue sector.
Anyone following the Live Music Exchange blog will be well aware that the UK has seen an alarming number of small music venue closures over the past decade or so. The latest venue under threat is The Cellar in Oxford, an underground 150-capacity venue which has been a music venue for more than 45 years. The owner, St Michael’s and All Saints’ Charities, has served the venue a notice to leave as they intend to redevelop the basement site early next year and turn it into a retail space. The post is taken from the objection letter written by Live Music Exchange to Oxford City Council.
Today we feature a repost of an article by Live Music Exchange’s Adam Behr in The Conversation discussing the debate about headliners at Glastonbury and other festivals.
This week’s blog post is by Brighton-based musician, Chris T-T, and was originally published on his website. In it, he examines the ongoing issue of the lack of diversity in festival line-ups and recommends looking further down the bill to better assess the future ‘direction of travel’ for gender diversity at festivals. Note that the original article was originally posted on 26 June 2015 and the stats may have changed in the interim.
MOST POPULAR BLOG POSTS
Informed opinion and lively discussion from expert sources
How To Communicate With Your Monitor Engineer – Mark Hadman
The ecology of live music – Neil McSweeney
What’s it worth? Calculating the economic value of live music – Dave Laing
America’s Got Talent Invite, Must Be The Music, and my Rapid Rise to Superstardom – Thomas Truax
Martin Cloonan on the secondary ticket market
Venue design and redesign – Robert Kronenburg
The political economy of live music: first thoughts – Simon Frith
A materialist approach to live music – Simon Frith
MOST POPULAR RESOURCES
Comprehensive and evolving archive of industry, academic and government research, and media reports, on a wide range of topics related to live music in the UK and beyond.
The Rocktober Report: The Live Music Act, One Year On – UK Music / Musicians’ Union
The UK Festival Market Report 2010 – Matt Brennan and Emma Webster
Social Semiotics – The Business of Live Music: Special IssueMusicians’ Union’s Live Music Kit
Destination Music: The contribution of music festivals and major concerts to tourism in the UK
The Event Safety Guide: A guide to health, safety and welfare at music and similar events (Second edition)Ticketmaster and Live Nation: A report on the completed merger between Ticketmaster Entertainment, Inc and Live Nation, Inc [full report / appendices and glossary]
EU Creative Industries Funding Guide: Joanna Parker.
Supporting UK Musicians Abroad: Julia Payne and Adam Jeanes – Arts Council and British Council research on funding opportunities.
YOUR QUESTIONS ANSWERED
How will the Live Music Act affect me?
I’m a musician – how do I get a gig?
Where are the venues in my hometown?
How do I know my ticket is legitimate?
Are festivals in decline?
What’s all the fuss over secondary ticketing about?
Where can I found out about the economic effect of festivals?
RECENT BLOG POSTS
Ten things learned at Venues Day 2017 – Emma Webster and Adam Behr
Valuing small venues: The Cellar, Oxford – Live Music Exchange team