LATEST BLOG POSTS
Our latest post – by Professor Anne Danielsen of the University of Oslo – outlines research into the digital environment to explore the new relationships between live and mediated forms of music resulting from online communication and distribution.
This week’s blog post is by Live Music Exchange’s own Emma Webster, in response to The Times‘ leader about the removal of nightclubs from the ONS ‘basket of goods’ in March 2016. The post draws attention to The Times’ seeming horror at the inefficiency of the process, a latent hatred of nightclubs, an implicit fear of gathering crowds, and the delight in the pursuit of individual rather than group pleasure. The piece offers a defence of nightclubs from an economic and social perspective, and questions the real motives behind the glee of the author in chronicling the demise of the nightclub sector.
———————The Beatles revolutionised music by putting the record centre-stage – Adam Behr As a new show covering Beatles recording sessions at Abbey Road premiers at the Royal Albert Hall, Live Music Exchange’s Adam Behr writes in The Conversation today about talking to the show’s producer, how the Beatles changed the status of the record in popular music, and the challenges of depicting that process on stage. ———————
To mark the publication of our academic article on the live music ecology [open access, via link], the LMX team is publishing our original discussion notes. These illustrate the origins of the ideas that inform the article but include points that weren’t further developed (and perhaps should have been). We thought it worth making public—particularly in relation to this topic—an aspect of the academic process that is usually hidden. Here then are the position papers we wrote before developing the article.——————— Address to Live Music Matters Forum Usher Hall (22nd Feb 2016) – Neil Cooper In this week’s post we’re pleased to present Neil Cooper’s stirring address to Edinburgh’s Live Music Matters Forum at Usher Hall last week, organised by City of Edinburgh Council. His overview shows that that the cultural life of a city cannot be taken for granted in the face of urban development. ——————— Live and (digital) life: Some notes on interaction with music – Beate Flath Our latest guest post is by Dr Beate Flath, junior professor for event management with a focus on popular music, media and sports at the University of Paderborn. Her research concerns the intersections of music/sound, (digital) media, economy and the aesthetics of the everyday. She discusses these here in relation to live music and digital mobile devices. MOST POPULAR BLOG POSTS
Informed opinion and lively discussion from expert sources
How To Communicate With Your Monitor Engineer – Mark Hadman
The ecology of live music – Neil McSweeney
What’s it worth? Calculating the economic value of live music – Dave Laing
America’s Got Talent Invite, Must Be The Music, and my Rapid Rise to Superstardom – Thomas Truax
Martin Cloonan on the secondary ticket market
Venue design and redesign – Robert Kronenburg
The political economy of live music: first thoughts – Simon Frith
A materialist approach to live music – Simon Frith
MOST POPULAR RESOURCES
Comprehensive and evolving archive of industry, academic and government research, and media reports, on a wide range of topics related to live music in the UK and beyond.
The Rocktober Report: The Live Music Act, One Year On – UK Music / Musicians’ Union
The UK Festival Market Report 2010 – Matt Brennan and Emma Webster
Social Semiotics – The Business of Live Music: Special IssueMusicians’ Union’s Live Music Kit
Destination Music: The contribution of music festivals and major concerts to tourism in the UK
The Event Safety Guide: A guide to health, safety and welfare at music and similar events (Second edition)Ticketmaster and Live Nation: A report on the completed merger between Ticketmaster Entertainment, Inc and Live Nation, Inc [full report / appendices and glossary]
EU Creative Industries Funding Guide: Joanna Parker.
Supporting UK Musicians Abroad: Julia Payne and Adam Jeanes – Arts Council and British Council research on funding opportunities.
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RECENT BLOG POSTS
Live Music in the Online Age: Findings from the research project Clouds and Concerts – Anne Danielsen