LATEST BLOG POSTS
The Popular Music scholar and writer, Dave Laing died suddenly on 6th January 2019. Amongst many other things, Dave was a very good friend to Live Music Exchange, someone to whom we often turned to for advice and help. Both were always freely given in a wonderfully supportive way. Here we offer a Live Music Exchange tribute to Dave.
Dr. Chris Anderton, of Southampton Solent University, and looks at UK festivals. He finds a volatile market with, nevertheless, no shortage of willing new entrants.
Mark E Smith, leader of English post-punk group The Fall, died on 24 January 2018. To mark the anniversary of Smith’s death Live Music Exchange co-founder Martin Cloonan provides some thoughts on the band’s live appearances.
Today’s post is adapted from a presentation by Professor Rajko Muršič of the University of Ljubljana to the Radical Anthropology Group. It discusses the communal efforts and work practices of venues in Slovenia and their capacity to act as spaces of resistance.
Our latest post, by Dr. Rosemary Lucy Hill, discusses recent research into sexual violence at gigs, and introduces the report and recommendations from the research project ‘Healthy Music Audiences: Music, Gender and Health’.
Music’s role in, and value to, society has emerged in the news from multiple angles recently from its health benefits, to its economic contribution, to challenges for music education and venues. With music at the centre of such a broad range of benefits, controversies and challenges, we revisit in today’s post the keynote address by Professor Simon Frith OBE from our Live Music Exchange, Newcastle event in 2016, in which he draws upon his experience as a rock critic, researcher and academic writer to examine the different criteria that we apply when making assessments of music’s value.
Our latest guest post is by Dobe Newton, OAM – an active music professional for over 40 years and leader of the 2012 Victorian Live Music Census and the 2017 Melbourne Live Music Census. Here, he presents key findings and observations from the Melbourne Live Music Census of 2017, and reflects on the census process.
With Parliamentary attention turning to ticket touting again, today’s post features Live Music Exchange’s Adam Behr writing about Ticketmaster’s decision to close its secondary market sites in Europe, and a video of an expert panel on the secondary market from the Live Music Exchange Newcastle event in 2016.
This week’s blog is a repost of an article by Live Music Exchange’s Adam Behr in The Conversation that discusses some of the background to, and complications surrounding, the relationship between popular musical and political events in the wake of the ‘Labour Live’ festival.
This post features the management of Leith Depot – a small venue in Edinburgh – discussing the experience of getting the space up and running, its valuable role in the local music scene, and the threat to its continued existence.
MOST POPULAR BLOG POSTS
Informed opinion and lively discussion from expert sources
How To Communicate With Your Monitor Engineer – Mark Hadman
The ecology of live music – Neil McSweeney
What’s it worth? Calculating the economic value of live music – Dave Laing
America’s Got Talent Invite, Must Be The Music, and my Rapid Rise to Superstardom – Thomas Truax
Martin Cloonan on the secondary ticket market
Venue design and redesign – Robert Kronenburg
The political economy of live music: first thoughts – Simon Frith
A materialist approach to live music – Simon Frith
MOST POPULAR RESOURCES
Comprehensive and evolving archive of industry, academic and government research, and media reports, on a wide range of topics related to live music in the UK and beyond.
The Rocktober Report: The Live Music Act, One Year On – UK Music / Musicians’ Union
The UK Festival Market Report 2010 – Matt Brennan and Emma Webster
Social Semiotics – The Business of Live Music: Special IssueMusicians’ Union’s Live Music Kit
Destination Music: The contribution of music festivals and major concerts to tourism in the UK
The Event Safety Guide: A guide to health, safety and welfare at music and similar events (Second edition)Ticketmaster and Live Nation: A report on the completed merger between Ticketmaster Entertainment, Inc and Live Nation, Inc [full report / appendices and glossary]
EU Creative Industries Funding Guide: Joanna Parker.
Supporting UK Musicians Abroad: Julia Payne and Adam Jeanes – Arts Council and British Council research on funding opportunities.
YOUR QUESTIONS ANSWERED
How will the Live Music Act affect me?
I’m a musician – how do I get a gig?
Where are the venues in my hometown?
How do I know my ticket is legitimate?
Are festivals in decline?
What’s all the fuss over secondary ticketing about?
Where can I found out about the economic effect of festivals?
RECENT BLOG POSTS
A Tribute to Dave Laing
Risky Business: the Volatility and Failure of Outdoor Music Festivals in the UK – Chris Anderton
Fall Guy – Martin Cloonan