LATEST BLOG POSTS
A short piece giving an update on what the Census aims to find out and how it’s already capturing people’s imaginations.
In this, the last blog post of 2016, Live Music Exchange’s own Simon Frith reflects on his 25-year tenure as the chair of the judges of the Mercury Prize to consider what has – and hasn’t – changed within the UK record industry over the last quarter of a century.
Annabella Coldrick is Chief Executive of the Music Managers Forum (MMF). She appeared before the UK Parliament’s Media Sport and Committee on 15 November when it discussed the issue of Ticket Touts. Here we publish an edited version of the notes which Annabella prepared for that meeting.
A tribute to Bill Kyle, jazz drummer and driving force behind The Jazz Bar on Edinburgh’s Chambers Street, who passed away suddenly at the beginning of November 2016.
By assembling long lists of acts, online live music agencies create reserve armies of labour and force fees down, writes guest blogger Charles Umney.
With the U.S. election taking place tomorrow, we repost a recent piece by Live Music Exchange’s Adam Behr in The Conversation about the long and often fractious history of the use of pop in election campaigns.
MOST POPULAR BLOG POSTS
Informed opinion and lively discussion from expert sources
How To Communicate With Your Monitor Engineer – Mark Hadman
The ecology of live music – Neil McSweeney
What’s it worth? Calculating the economic value of live music – Dave Laing
America’s Got Talent Invite, Must Be The Music, and my Rapid Rise to Superstardom – Thomas Truax
Martin Cloonan on the secondary ticket market
Venue design and redesign – Robert Kronenburg
The political economy of live music: first thoughts – Simon Frith
A materialist approach to live music – Simon Frith
MOST POPULAR RESOURCES
Comprehensive and evolving archive of industry, academic and government research, and media reports, on a wide range of topics related to live music in the UK and beyond.
The Rocktober Report: The Live Music Act, One Year On – UK Music / Musicians’ Union
The UK Festival Market Report 2010 – Matt Brennan and Emma Webster
Social Semiotics – The Business of Live Music: Special IssueMusicians’ Union’s Live Music Kit
Destination Music: The contribution of music festivals and major concerts to tourism in the UK
The Event Safety Guide: A guide to health, safety and welfare at music and similar events (Second edition)Ticketmaster and Live Nation: A report on the completed merger between Ticketmaster Entertainment, Inc and Live Nation, Inc [full report / appendices and glossary]
EU Creative Industries Funding Guide: Joanna Parker.
Supporting UK Musicians Abroad: Julia Payne and Adam Jeanes – Arts Council and British Council research on funding opportunities.
YOUR QUESTIONS ANSWERED
How will the Live Music Act affect me?
I’m a musician – how do I get a gig?
Where are the venues in my hometown?
How do I know my ticket is legitimate?
Are festivals in decline?
What’s all the fuss over secondary ticketing about?
Where can I found out about the economic effect of festivals?
RECENT BLOG POSTS
UK Live Music Census 2017 – update
Reflections on the Mercury Prize – Simon Frith